This morning at seven I walked out to get the paper. The gentle rain of the night before had stopped; the mist hung white in the trees, for a moment the world stood still. I thought of a wonderful poem by Pattiann Rogers…
In General
This is about no rain in particular,
just any rain, rain sounding on the roof,
any roof, slate or wood, tin or clay
or thatch, any rain among any trees,
rain in soft, soundless accumulation,
gathering rather than falling on the fir
of juniper and cedar, on a lace-community
of cobwebs, rain clicking off the rigid
leaves of oaks or magnolias, any kind
of rain, cold and smelling of ice or rising
again as steam off hot pavements
or stilling dust on country roads in August.
This is about rain as rain possessing
only the attributes of any rain in general.
(con’t)
And this is about night, any night
coming in its same immeasurably graudal
way, fulfilling expectations in its old
manner, creating heavens for lovers
and thieves, taking into itself the scarlet
of the scarlet suman, the blue of the blue
vervain, no specific night, not a night
of birth or death, not the night that never
leaves the frightening side of the moon,
not the night always meeting itself
at the bottom of the sea, any sea, warm
and tropical or starless and stormy, night
meeting beneath Arctic ice.
This attends to all nights but no night.
And this is about wind by itself,
not winter wind in particular lifting
the lightest snow off the mountaintop
into the thinnest air, not wind through
city streets, pushing people sideways,
rolling ashcans banging down the block,
not a prairie wind holding hawks suspended
mid-sky, not wind as straining sails
or as curtains on a spring evening, casually
in and back over the bed, not wind
as brother or wind as bully, not a lowing
wind, not a high howling wind. This is
about wind soley as pure wind in itself,
without moment, without witness.
Therefore this night tonight–
a midnight of late autumn winds shaking
the poplars nad aspens by the fence, slamming
doors, rattling the porch swing, whipping
thundering black rains in gusts across
the hillsides, in batteries against the windows
as we lie together listening in the dark, our own
particular fingers touching–can never
be a subject of this specific conversation.
(Georgia Review, Spring 2003)
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