What really happened to the developer: Chekhov

The New Yorker's great theater critic, John Lahr, hasn't been writing enough. Then on Dec. 12 the magazine doesn't put the compressed grace of his review of Chekhov's "The Cherry Orchard" on line, and further goes on in the truncated "abstract" it does post to mangle Lahr's dramatic wisdom. It's criminal! But no matter —Continue reading “What really happened to the developer: Chekhov”